At the time I purchased this book I was already half way
through Hengist by Bryan Evens, and I had decided that it was so good that I
ought to pick up some of the other books published by the ‘Anglo-Saxon Books’
company. At the time I was unable to get myself a hardback copy of Brian
Branston’s ‘The Lost Gods of England’ for a reasonable price, and so I thought
I would get this fifty page book on the same subject. It was of a price and
size of which I could introduce myself to Anglo-Saxon Paganism, and thus decide
if I wanted to go deeper with larger studies. Subsequent to reading this, I
have actually managed to get myself a copy of Brian Branston’s work for the
total price of £7, with the only issue being a slightly sun damaged cover. However,
the highly recommended book on Anglo-Saxon Paganism by David Wilson still evades
me, and is likely to do so for some time with its asking price of £120.
We are first introduced to the books subject matter, and
what will and will not be included in the discussion. Kathleen tells how much
of Anglo-Saxon Paganism is really just Norse Paganism, with a number of slight
name differences, and that those gods and customs will not be discussed at
length in her work. What ‘Looking for the Lost Gods of England’ intends to do
is to look at what elements of the Pagan tradition were unique to England. Unfortunately
what we know about these unique elements is somewhat limited, as the literate
people in society were the Christian Priests who looked upon Paganism with a
biased view, and furthermore were reluctant to write about Pagan practices at
all. Herbert does give a short overview of some of the classic gods in their
Anglo names, such as Woden, Thunor, Tiw, Freya and Frey, the latter of which
she suggests was of special significance to the English.
Much of what we know about Anglo-Saxon Paganism is through
what has been morphed into the Christian religion. We know for example, the
Pagan idea of an eye for an eye was a problem which the Church of Rome found
impossible to make a dent in rectifying. The idea of ancestral worship was also
an idea that persisted through the Anglo-Saxon period, as even the converted
kings still claimed descent from Woden; although Alfred the great had his
family tree altered so that it also claimed descent from Adam. The main
emphasis the English seemed to place on their religious practices was fertility
and harvest. Herthus provided both of these blessings, and is said she resided
in her sacred grove on an island along with her holy cart which brought a
bountiful harvest to the places she chose to visit. There are a great number of
traditions that survived the transition to Christianity such as the festival of
‘Samhain’, which was the slaughtering of animals before the winter period so as
to lower the maintenance of livestock over the harsh months; this has survived
as Halloween. There was also the idea of cleansing the earth, which involved cutting
out a square patch of land and taking it to the local shrine to have an antidote
of some sorts transferred to the patch before it was returned to the field it
came from. The author suggests it may
have even had a Rune inscribed on the underside before it was returned.
As the end of the book drew near the author also touched
upon some of mythical elements that had an impact on the religion, such as ‘Elves’
which were described as being beautiful but also deadly, with the ability to
seduce men to their deaths. Erik the Wild was such a person said to have been
seduced, according to folklore. Erik the Wild was an earl and a resistance
fighter during the Norman Conquest, along with his contemporaries Hereward the
Wake and Earl Morcar. Like Earl Morcar, Erik simply disappears from the
historical records and his name is thus replaced by a French one. However, it
is said that the ghost of Eric and his soldiers is seen marching towards the south
coast whenever England is being threatened with invasion. Definitely a
character I will be looking out for in more detail in the future.
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